Examined only digital image.
Attributed to [Broadbent & Co.], Samuel Broadbent, Jr. (1810-1880), photographer.
[Portrait of an Unidentified African American woman].
Philadelphia, ca. 1850s.
Daguerreotype, ¼ plate.
Gift of Mary P. Dunn, [P.9427.13]
At just 4 ¼” x 3 ¼” and highly reflective, this daguerreotype was held in the hands of the viewer and tipped and tilted to reveal the face of the subject. Although the identity of the sitter is unknown, it is part of a collection of portrait photographs associated with the Dickersons, an African American family from Philadelphia. In the 19th century, the Dickerson family supported civic engagement and educational opportunities for the free Black community in the city and championed abolition for the enslaved. The female subject shown here could be a member of the Dickerson family or one of their many friends or associates.
The daguerreotype is attributed to Samuel Broadbent, Jr. who had a studio on Chestnut Street in Philadelphia where he worked with partner Sally G. Hewes (1819-1853), one of the few female photographers in the city. The attribution is based on the set pieces used to frame the sitter – the window sill and the leafy grape vine both appear in other photographs made by Broadbent & Co. between 1851 and 1856.
Most portrait photography in America at this time was entirely transactional. The sitter paid Broadbent for his services and therefore had some say in the resulting image. The use of the window and vine would have been discussed. The subject also likely selected her attire with care; her ruffled cuffs and jewelry depict her as a woman of fashion and means. She touches her neck with one finger and leans forward confidently on the window sill, into the light.
This pose would have been known to Broadbent who, prior to working as a photographer, travelled in New England and the American South painting canvas portraits and ivory miniatures. It also would have been familiar to the sitter and eventual viewers of the daguerreotype who would have seen similar poses used in framing prints or as illustrations in American gift books (figs. 1 & 2). Although much is unknown about this object, by utilizing the visual language of formal portraiture, the daguerreotype reads as a clear and successful likeness.
African American Women